Nicky Bird’s ‘Question
for Seller’ features photographs acquired through eBay that no one else has bid
for. The seller is asked the question: “How did you come across the photos and
what, if anything, do you know about them?” Their replies, she claimed are as
important as the photographs they sell.
Does their presence on a gallery wall give
these images an elevated status?
The status of the images is
elevated, although I feel that this elevation is quite temporary. Through an
interest in their shared narrative, their status has changed from ‘unwanted’ to
the very least, ‘worth viewing’. The images themselves have not become visually
more interesting but it is their story that now holds interest. The word
‘unwanted’ can be quite a powerful word in warming the hearts of the general
public. The need to make these inanimate objects loved again, although a
bizarre concept could quite easily penetrate the human psyche.
I feel that sometime later,
however these images will again become someone’s unwanted possessions,
returning their status to its original form.
Where does
their meaning come from?
The
meaning for these images comes from their shared narrative. Without the
sellers’ answers, the photographs would hold no meaning; the answers, no matter
how small give them meaning. Those with no response still now hold meaning in
that lack of response, alongside those that do. In fact, these may become the
more notable, as they appear more ‘unwanted’.
When they are
sold (again on eBay, via auction direct from the gallery) is their value
increased by the fact that they are now ‘art’?
The
monetary value of any item or service is exactly what people are willing to pay
for it and the value of an item can depend largely on its story; for example, a
guitar previously owned by a famous musician is worth far more than the same
guitar brand new.
The buyers
of the images, post exhibition are not merely buying the images but two
stories, that which the seller gave to Bird and their new story of becoming a
piece of ‘art’.
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